A portion of the essay...
In other words, Hunter's work provides the occasion for stories, the impetus to imagine or invent them. Faux or not, her different dialects almost beg for translation and in the process you find yourself looking for the words, the baskets, the rocks, the entire work, to mean something—to signify as well as be. It's conceptual art at its best—not the illustration of an idea you can parse, but the suggestion that certain kinds of meaning are beyond words.
By Dennis Jarrett
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